Lorrie Fredette - Artist Statement

I collect and record information such as politicians’ public travels and the microscopic imagery of a scorpion’s claw. Once stored, it becomes inaccurate because it is no longer contained in its original context. I then analyze the stored data looking for spatial patterns. The analysis is distorted because the studying is as flawed as the collection. The work then becomes about the biased and fictitious findings.

Resume

Education

BFA in Sculpture, Herron School of Art, Indiana University

Exhibitions

• Red And White, Lascano Gallery, Great Barrington, MA

• Mohawk Hudson Regional, University Art Museum, Albany, NY

• No Fooling, Art Society of Kingston, Kingston, NY

• Making The Cut, Nassau Community College, Garden City, NY Apsara DiQuinzio, Whitney Museum of Art

• 2005 Encaustic Works 2005, Samuel Dorsky Museum, New Paltz, NY

• Pulse: A Survey of Artists Working With Fiber, Catskill Mountain Foundation Gallery, Hunter, NY Invitational

• Open Ends: The Narrative Impulse, Ulster County Community College, Stone Ridge, NY,

• Small Works, Harper College, Palatine, IL,

• Museum of Contemporary Art, Chicago
  4 Narrations, R & F Gallery, Kingston, NY

• Waxing Poetic, Carskill Mountain Foundation Gallery, Hunter, NY

• Home & Garden, Studio Place Arts Gallery, Barre, VT

• Crossing Eastern Parkway, Rongio Gallery, Brooklyn, NY

• Temperence, Rongio Gallery, Brooklyn, NY,

• Gazpacho, Highland Cultural Center, Highland, NY

• Faces/Phases, Manhattan Borough President’s Office, New York, NY, Mariano Del Rosario

• The Language of Vision, Williamsburg Art and Historical Center, Brooklyn, NY, Yuko Nii

• The Language of Vision, Watchung Art Center, Watchung, NJ

• 1996 Behind The Red Door, Galeria de Ros, Indianapolis, IN

• A Celebration of Women In The Arts, Arts council of Indianapolis, Indianapolis, IN, Jenniger Complo, Curator at the Eiteljorg, Museum of Western Art